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| TWENTY FOUR
SEVEN TINA TURNER |
SUPERNATURAL CARLOS SANTANA |
New Day
Dawning Wynonna Judd | ||
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| THE BEACH SOUNDTRACK |
TRANCEPORT Volume II Dave Ralph |
BLOODFLOWERS THE CURE |
TELLING
STORIES TRACY CHAPMAN | |||
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| SUPERNATURAL
CARLOS SANTANA / CD / 1999 Winner of eight 2000 Grammy Awards Fans old
and new have much to celebrate about Supernatural, Carlos Santana's Arista
Records debut. Here, he is joined by Eric Clapton, Everlast, Lauryn Hill, Dave
Matthews, and Rob Thomas. Join him in his celebration of music! SUPERNATURAL was
nominated for the 2000 Grammy Award for Album Of The Year and for Best Rock
Album. "Smooth" was nominated for the 2000 Grammy Award for Best Pop
Collaboration With Vocals, Song Of The Year, and for Record Of The Year. "Love
Of My Life" was nominated for the 2000 Grammy Award for Best Pop
Collaboration With Vocals. "Maria Maria" was nominated for the 2000
Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. "El
Farol" was nominated for the 2000 Grammy Award for Best Pop Instrumental
Performance and for Best Instrumental Composition. "The Calling" was
nominated for the 2000 Grammy Award for Best Rock Instrumental Performance. "Put
Your Lights On" was nominated for the 2000 Grammy Award for Best Rock
Performance By A Duo Or Group With Vocal. Fans old and new have much to
celebrate about SUPERNATURAL, Carlos Santana's Arista Records debut. | ||||||||
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| TWENTY
FOUR SEVEN TINA TURNER / CD / 2000 Tina Turner's first album of the 21st century
continues in the vein of the sophisticated-sounding, adult-contemporary pop that
she's been churning out since her fabled comeback from obscurity. Much like
her last album, WILDEST DREAMS, Turner borrows nuances from Bristol natives and
trip-hop specialists Massive Attack. Unlike DREAMS, Turner's choice of material
here successfully leans toward the more obscure side. Helping her achieve this
more contemporary approach is Spice Girls collaborator Absolute, whose
production contributions include the infectiously airy "All the Woman"
and the polite funkiness of "Without You," featuring a cameo by Bryan
Adams. Elsewhere, Metro (the London team behind Cher's BELIEVE) inject a chiming
guitar, squeaky-clean loops, and an ethereal sound to the female empowerment
single "When the Heartache Is Over." Still a force to reckon with at
the brink of 60, the former Anna Mae Bullock range hasn't faltered at all. | ||||||||
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| THE BEACH
SOUNDTRACK / CD / 1999 With THE BEACH soundtrack, Danny Boyle and
Andrew MacDonald, the film's director and producer, continue their trend of
exploring cutting-edge electronic and dance music (a pattern established with
their films SHALLOW GRAVE, TRAINSPOTTING, and A LIFE LESS ORDINARY). With the
help of DJ extraodinaire Pete Tong, they've assembled another impressive
collection, this one tilted more exclusively toward the electronic. There is no
filler here. Underworld contributes the steady roll and cheerfully hypnotic beat
of "8 Ball," which easily stands with the best of their work. The
production work and songwriting of William Orbit greatly improves the dance-lite
grooves of All Saints, giving their "Pure Shores" a gorgeous,
spectacularly spacious sound that nicely offsets the vocals. | ||||||||
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| New Day
Dawning [Limited] by Wynonna Judd / CD / 2000 This edition of NEW DAY DAWNING includes a
bonus disc with new songs by The Judds. NEW DAY DAWNING: Personnel: Wynonna
(vocals); Biff Watson (acoustic guitar); Richard Bennett (acoustic &
electric guitars); Steuart Smith (guitar); Paul Franklin (steel guitar); Aubrey
Haynie (fiddle); The Nashville String Machine (strings); Kim Wilson (harmonica);
Mark Douthit (flute, baritone saxophone); Jim Horn (tenor & baritone
saxophones); Mike Haynes (trumpet); Barry Green (trombone); Matt Rollings
(piano, organ, keyboards); John Jarvis (piano); Steve Nathan, Tony Harrell
(organ, keyboards); Rob Mathes (keyboards, synthesizer); Willie Weeks (bass);
John Robinson, Steve Potts (drums); Terry McMillan, Eric Darken (percussion);
Vicki Hampton, Kim Fleming, Robert Bailey, Tabitha Fair, Kim Keyes, Judson
Spence (background vocals). | ||||||||
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| Bloodflowers
The Cure / CD / 2000 The Cure: Robert Smith (vocals, guitar,
keyboards, 6-string bass); Perry Bamonte (guitar, 6-string bass); Roger
O'Donnell (keyboards); Simon Gallup (bass); Jason Cooper (drums, percussion).
Recorded at St. Catherine's Court, Avon, and Rak Studio 3, London, England. With
BLOODFLOWERS, Robert Smith and the boys give sway to the most shoegazery
elements of their eternally languid arsenal to often stunning effect. Evoking
memories of similar classics such as PORNOGRAPHY and DISINTEGRATION, the Cure's
first effort of the 21st century simmers with serene seamless disorder as Smith
lays his usual mixture of lyrical sorrow and delight upon a bed of ambient
landscapes. | ||||||||
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| Tranceport
Volume II Dave Ralph / CD / 1999/ 2 discs This is a continuous in-the-mix CD compiled
and mixed by DJ Dave Ralph. CMJ (11/1/99, p.27) - "...[Dave] Ralph
orchestrates a moving, celestial progressive house/trance experience that
spreads some of the genre's most memorable tunes of the past few years over two,
equally enthralling discs..." Entertainment Weekly (1/28/00, pp.102-3) - "...a
narcotic compilation of trance techno....a diverse and subtly ingratiating
lot..." | ||||||||
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| Telling
Stories Tracy Chapman / CD / 2000 There's nothing particularly fancy about Tracy
Chapman's particular brand of folk-rock; she just blends the folk into the rock
more appealingly than most anyone out there. Her music has enough verve to have
vaulted her out of obscurity twice. Her fifth jaunt, TELLING STORIES, continues
her charming consistency with an alluring set of picture-perfect tunes. The
bouncy title track opens the album with a clever circular play on a deceptively
simple line, "there's a fiction in the space between...," which makes
it clear from the start that Tracy remembers the value of a good pop song. Good
pop songs abound on TELLING STORIES, from the country-rock of "Less Than
Strangers" to the singer-songwriter folk of "Unsung Psalm" to the
upbeat dance of "It's OK." Between her acclaimed debut and TELLING
STORIES, very little about Chapman has changed, which is both comforting and
good, the world needs good, well-meaning folk-pop songwriters and good,
well-meaning folk-pop songs. | ||||||||
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